2017

 

• Alchemy: Transformations in Gold, exh. cat., 73-76. Des Moines: Des Moines Art Center, 2017

 

• The Artist Project: What Artists See When They Look at Art. London: Phaidon, 2017

 

• El arte y el espacio, exh. cat. Bilbao: Guggenheim Museum, 2017

 

• Ramaswamy, Sumathi. “Art on the Line: Cartography and Creativity in a Divided World.” In Decolonizing the Map: Cartography from Colony to Nation, 284-338. Chicago: University of Chicago Press, 2017

 

• The Restless Earth/ La Terra Inquieta, exh. cat. Milan: Electa, 2017

 

 

2015

 

• Khullar, Sonal. Worldly Affiliations: Artistic Practice, National Identity, and Modernism in India, 1930– 1990, 2–3, 5. Oakland: University of California Press, 2015

 

• Nasreen Mohamedi: Waiting Is a Part of Intense Living, 21, 193, 204, 275 of Intense LivingMuseo Nacional Centro de Arte Reina Sofnt, 2015

 

• Pedrosa, Adriano, ed. Artevida, vol. 1, 48–51. Rio de Janeiro: Editora Cobogó, 2015

 

 

2014

 

• Experiments with Truth: Gandhi and Images of Nonviolence, 43, 277. Houston: Menil Foundation; New Haven: Yale University Press, 2014

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• Ritterskamp, Julia, and Gérard A. Goodrow. Passages: Indian Art Today, 177, 180–81, 184–87. Cologne, Germany: DAAB Media, 2014

 

• Stout, Katharine. “Abstraction.” In Contemporary Drawing from the 1960s to Now, 33. London: Tate Enterprises, 2014

 

 

2013

 

• Between the Lines: A Coloring Book of Drawings by Contemporary Artists. Vol. 4, 104–5. New York: RxArt, 2013

 

• Milford-Lutzker, Mary-Ann. “The Poetry of Zarina’s Art.” In Indian Painting—Essays in Honour of B. N. Goswamy, 411–21. Nashik, India: Mapin Publishing, 2013

 

 

2012

 

• Mufti, Aamir R. “Zarina Hashmi and the Arts of Dispossession.” In Lines of Control: Partition as a Productive Space, 87–99, 170–71. Ithaca, NY: Herbert F. Johnson Museum of Art, Cornell University

 

• London: Green Cardamom, 2012

• Pohl, Frances K. Framing America: A Social History of American Art. 3rd ed., 561. London: Thames and Hudson, 2012

 

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2011

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• Brown, Rebecca, and Deborah Hutton, eds. A Companion to Asian Art and Architecture. London: Wiley- Blackwell Publishing, 2011

 

• Drawn from Life. London: Green Cardamom, 2011

 

• Everyone Agrees: It’s about to Explode, India Pavilion, 54th International Art Exhibition, la Biennale di Venezia. New Delhi: Lalit Kala Akademi, 2011

 

• Hoffman, Jens. “Zarina Hashmi.” In The Companion: 12th Istanbul Biennial 2011. Istanbul: IKSV Biennial, 2011

 

• ILLUMInations, 54th International Art Exhibition, la Biennale di Venezia. Venice: Fondazione La Biennale di Venezia, 2011

 

• Mathur, Saloni, ed. The Migrant’s Time: Rethinking Art History and Diaspora. Williamstown, MA: Clark Art Institute, 2011

 

  

2010

 

• Ananth, Deepak. “Zigzag.” In Orientations: Trajectories in Indian Art, 10-11. Oudenburg, Belgium: Foundation De Elf Lijnen, 2010

 

• Hand, Voice and Vision: Artists’ Books from Women’s Studio Workshop. New York: Women’s Studio Workshop, 2010

 

• Luhring Augustine 1985–2010. New York: Luhring Augustine, 2010

 

 

2009

 

• The Third Mind: American Artists Contemplate Asia: 1860–1989. New York: Guggenheim Museum Publications, 2009